mltnt, Jamaican Patois English, militant roots reggae fused with trap and dubstep low end, massive sub bass drops and dub impact hits, halftime breakdowns that snap back into a steppers march, dark raspy male deejay vocal switching between rapid-fire chant and gritty half-sung hooks, gang-vocal chorus with gospel choir stacks, distorted 808 and pitched dub sirens, nyabinghi drums under trap hi-hats, cinematic risers and tape-stop drops before every chorus, cavernous spring reverb and stuttering tape delay throws, sparse menacing verses then explosive chorus entry, apocalyptic conscious mood, 76 BPM