 At first we see an eye. Closed and slowly it opens up and looks around. Later we get a full view of a man lying on the floor in a strange-looking room. walls, ceiling, floor. sides just like a cube. There is a kind of door on each side. Each door has a handle. On the walls are weird-looking pictures. They doesn't seem to look like anything seen before. The man stands up in the middle of the room. The camera pans around him. Then he makes some sounds and opens a door in one of the walls. As he looks in to the open door, he sees a new room like the one he is located in, but the light in the new room is blue. He turns around and the door closes by itself. Then he opens the door in in the floor. Under that door, there's a new room excatly like the first, but in this room the light is red. The door closes. He opens a new door in one of the walls. The light in there is red. He looks back and then crawls into the new room. As he lands on the floor in the new room it makes a loud sound, and then the door closes behind him. He takes one step, and then there is a loud sound. The man stands still. Slowly he begins to bleed, and slowly his body begins to fall apart. As the last parts of his body hits the floor, we see a sort of trelliswork. First it moves to the floor, and afterwards it is being folded up. TITLE AND INTRO A man lies on the floor. A door is open beside him. Slowly we see a hand trying to find something to hold on to. A man crawls up from the hole. QUENTIN Hey Quentin closes the door in the floor. He sits down beside the man lying on the floor and tries to wake him. QUENTIN Hey Quentin stands up and opens a door in one of the walls. He looks into a new room. Red light. He closes the door again. The man from before is now awake. We hear a sound from one of the other doors in the walls. Quentin stands beside the door preparing to attack whatever that comes out from there. As someone looks out, Quentin grabs her by the neck, throws her to the floor and tries to beat her, until he realises that it is a lady. The lady screams, and sits down in a corner of the room. QUENTIN I'm sorry It's alright, I'm not gonna hurt you. HOLLOWAY What do you want? QUENTIN I thought you were HOLLOWAY What? QUENTIN I don't know We hear a loud sound and everybody in the room looks around. As the sound stops, someone screams for help. Quentin opens a door real fast. As the camera switches to a new angle, we see a girl in a red room screaming for help. When she sees Quentin she walks towards him. QUENTIN STOP! Quentin crawls into the room. LEAVEN What, what? QUENTIN It's ok, come here. Quentin helps Leaven into the room where the others are located. Holloway helps Leaven out, but not good enough, because Leaven falls and drops her glasses. Leaven sits up against a wall and Quentin comes towards her. QUENTIN It's ok, calm down, evrything's gonna be fine. HOLLOWAY What was in there? QUENTIN Just give me a minute to figure things out. HOOLOWAY Why are you afraid of that room? QUENTIN Just give me a minute I said. The door in the ceiling is being opened. We see an old man. QUENTIN How many people are in this thing? Listen! We can't go climbing around in here. HOLLOWAY Why not? QUENTIN There's traps. HOLLOWAY What do you mean, traps? QUENTIN Ubitraps. I looked into a room down there and something almost cut my head off! The old man crawls down to the others, while Quentin talks about the traps. Leaven breathes heavily. HOLLOWAY Holy God, holy, holy God! The old man sits down and begins to untie his shoe. Leaven suddenly hugs Quentin. Holloway sits down beneath Worth. HOLLOWAY Are you alright? Mister? Worth? Holloway gets the attention from Worth. QUENTIN Alright? WORTH I hit my head? HOLLOWAY Let me take a look at that. It's ok, I'm a doctor, it doesn't look bad. The old man stands up. QUENTIN What the hell are you doing? The old man opens a door and now looks into a blue room. QUENTIN Hey old man? The old man, Rennes, throws his boot into the room. An incinerator quickly burns the boot. Rennes pulls the boot back and then the door closes. Rennes drops the boot on the floor. RENNES Motiondetectors integrated in the walls. Tough to spot. LEAVEN Oh God, oh God, oh God. Rennes is on his way to open a new door. QUENTIN Wait a second! Let's all just relax for a minute. Does anybody remember how they got here? Long, nervebreaking silence. HOLLOWAY Perogies! I was eating dinner. Perogies, cheese and potato. I ran out of sour cream and then I went to the fridge and then I I don't know QUENTIN You Leaven? LEAVEN I I just went to bed and then QUENTIN What about you? WORTH I just woke up here. HOLLOWAY Middle of the night. It's like Chile. They always come in the middle of the night. LEAVEN Who? HOLLOWAY Only the government can build something this ugly. QUENTIN Oh, it ain't government. HOLLOWAY Then what is it. QUENTIN I don't know. HOLLOWAY Aliens! QUENTIN Please, we're spooked anough as it is. Let's rule out aliens from now on and concentrate on what we know. LEAVEN My mom's gonna freak QUENTIN Rennes LEAVEN Just won't be there QUENTIN What do you think Rennes? RENNES We don't solve the act, sitting still. I'm moving at this straight line, till I get to the end. QUENTIN Alright, I attend to agree. LEAVEN Shouldn't we wait here? To see if anybody comes. WORTH No one is gonna come. QUENTIN There's a way in here, so there's gotta be a way out. We can avoid the traps using the boot. Holloway is it. What do you think? For an exit? HOLLOWAY Ok. QUENTIN It can't be that simple. RENNES It ain't gonna be that simple. Take a look around. Take a good long look around, see it. Coz, I got a feeling it's looking at us. LEAVEN I just wanna wake up Leaven blinks with her eyes several times. Quentin sits down beneath her. QUENTIN Leaven, we can do this. We just have to stay calm, and work together as a team. There's gotta be a lot of people looking for us on the outside. I'm a cop, alright? LEAVEN You're a cop? QUENTIN Yeah I'm gonna get you out of here, I promise, but you gotta be with me on this one Leaven nods. LEAVEN Ok. Rennes opens a new door, waiting for Quentin to give 'signal' QUENTIN Boot it! Rennes throws the boot, nothing happens. RENNES Clean. Through several times of boot-throwing we see other rooms, with other colors on the walls. On the way to a new green room, Leaven notice some numbers in the passage between two rooms. A loud sound is to hear. HOLLOWAY That one sounded closer. RENNES It's mechanical. Seems to come at regular intervals. QUENTIN Maybe it's the ventilationsystem? RENNES No bets HOLLOWAY No kidding, I'm boiling Leaven looks at the numbers again: . Above these numbers are some others: . QUENTIN What is it, serial numbers? HOLLOWAY Room numbers, they're different in each room. WORTH Oh great, so there's only million . rooms in this thing. HOLLOWAY There'd better not be! We have about three days without food and water before we're too weak to move. LEAVEN They have to feed us, don't they? QUENTIN Holloway! HOLLOWAY Oh, we have heat, stress, physical exhaustion i.e. dehydration, headaches, dizziness, disorientation, confusement. Mental process. The body eventual begins to break down it's own tissue. Rennes rips a button of Holloway's shirt. RENNES Suck on it Keeps the saliva flowing. Again the boot lands in a new room. This time, it's red. QUENTIN What? RENNES The air seems dry in there. HOLLOWAY Trapped? RENNES Molecular chemical sensor. QUENTIN Why the hell didn't the boot set it off. RENNES The boot's not alive. It detects hydrogen-sulfide extruded from the skin. QUENTIN How come, you know so much about sensors, Renz? RENNES Rennes Not Renz! It's french! QUENTIN Fine, you're french. I'm asking how Rennes opens a new door and throws the boot. QUENTIN Rennes Sensorexpert With the right age I don't believe it Quentin laughs. QUENTIN This guy is The Wren HOLLOWAY The what? QUENTIN The Wren. The bird of Attica. through the coop on six major prisons. RENNES Seven! HOLLOWAY You're kidding right? LEAVEN You can get us out? RENNES Maybe. HOLLOWAY An escapeartist! RENNES Yes, I'm Harry 'fucking' Houdini. The only reason I dragged you so far, is cause I need your boots. If you're not smarting up I'm gone like that. No more talking No more guessing. Don't even think about something which is not right in front of ya. That's the real challenge, you gotta save yourselves from yourselves. Rennes jumps into the new room. We hear a click. RENNES Merde. Rennes gets acid in the face. He screams, and the door closes. In the other room, the door begins to open. QUENTIN Get him out! Rennes' head is partly dissolved. He screams quietly, because he has blood in his mouth. The others scream too. They lay him in a corner. After a little while they look to him again. He's dead, most of his head his been dissolved. QUENTIN So it was electrochemical or whatever, right? And he missed it. The Wren That's great, that's fucking great. Quentin turns the corpse of Rennes around with a foot. QUENTIN Alright It's time to reassess this place. HOLLOWAY I've been over it again and again, why would they throw innocent people in here? Are we being punished? LEAVEN I've never done anything to deserve this! QUENTIN Forget about all that! You can't see the big picture from in here. So don't try. Keep your head down. Keep it simple. Just look, look at what's in front of you. WORTH That's what he said. QUENTIN Start with us. We got an escapeartist and a cop. There's gotta be a reason for that. You're a doctor Holloway. That gives you a function, a reason, right? HOLLOWAY No, it just makes me go: 'Why me, and not one of the ten million other doctors out there'! QUENTIN Leaven. What are you? LEAVEN Nothing, I jst go to school, hang out with my friends. QUENTIN What else? LEAVEN There is nothing else. My parents are these people I live with them I'm boring. HOLLOWAY I think we have to ask the big questions: What does it want? What is it thinking? WORTH One down, four to go. QUENTIN Why don't you tell us what your purpose is Worth! WORTH I've wondered that myself. I'm just a guy, I work in an officebuilding, doing officebulding stuff. I wasn't actually bursting joie de vivre before I got here. Life just sucks in general. HOLLOWAY I can't stand that attitude. LEAVEN Because, he's right. QUENTIN What�s your purpose Quentin? QUENTIN Kids Three of them I haven't made my piece yet. I'm getting out of here no matter what. That's where my strength comes from. You people find yours wherever you got it. For Christ's sake. What do you live for? Don't you have a wife or a girlfriend or something? WORTH Nope, I got a pretty nice collection of pornography HOLLOWAY Nice, nice. I ain't got anyone either, but I'm not giving up. I'm pissed off. The came into our homes. They stripped us bare. They took my rings. They took my my amethyst. I wanna know who's responsible. QUENTIN Leaven, your glasses? You don't need them? LEAVEN Only for reading. QUENTIN Well, they took off her jewelry, but they must have put these on you. If nothing is random why are they here. Quentin opens a door in the wall. We see three numbers: . On the other side there's the numbers: . QUENTIN Leaven, what do you read in school? Math? HOLLOWAY What can they mean? Leaven takes the glasses and begins to study the numbers. LEAVEN ? Leaven opens a new door. The numbers we see are: xxx - LEAVEN Primenumbers. I can't believe I didn't see it before. QUENTIN See what? LEAVEN It seems like if any of these numbers of prime, then the room is trapped. Ok,, that's not prime. no. Wait, x, it's not prime either. So that room is safe. QUENTIN Wait, wait, wait. How can you make that decision based on one primenumbertrap? LEAVEN I'm not. The incinerator thing was prime: . The molecularchemical thing had, the acidroom had . HOLLOWAY You'd remembered all that in your head? LEAVEN I have a facility for it. QUENTIN Leaven, you beautiful brain Boot it. Holloway throws the boot. Nothing happens. QUENTIN Ok, out of the way. LEAVEN Brains before beauty. Leaven jumps into the room. Nothing happens LEAVEN SAFE! Primenumbers! Primenumbers! Primenumbers! Primenumbers! The camera pans around for some time. First we see the numbers:, then we see Leaven thinking. LEAVEN How long have we been in here QUENTIN Nine or ten hours. We see a door closing. Then we see Leaven rubbing her eyes. HOLLOWAY How do you know? QUENTIN 'o clock stubble. the last thing I remember was shaving. LEAVEN I guess I missed breakfeast or lunch or whatever QUENTIN Now don't worry. I'll be home in time for dinner. LEAVEN If we get out, I'l make you dinner. QUENTIN You got a date. Quentin opens a door and Leaven looks at the numbers inside. QUENTIN Doing good. HOLLOWAY I need to smoke! I could smoke a butt of a sidewalk. QUENTIN Holloway Just real yourself in a bit. Come on. Were moving along, things are looking up. HOLLOWAY Ok. You're right, I quitted smoking years ago. I just need to be occupied. QUENTIN Talk to me. Have a conversation. What kind of doctor are you anyway? HOLLOWAY Uh, you know, the free kinda Er, come on help me. Tell me about your rugrats. QUENTIN Ok. We have three boys. Nine, seven and five. HOLLOWAY Oh, good God. Poor woman. There's no way I'd survived that. QUENTIN She didn't either. She's not dead, we're just separated. HOLLOWAY I'm sorry, I can't just shoot the breeze. LEAVEN These numbers aren't prime. QUENTIN Ok. Clear. HOLLOWAY Excuse me, sorry. QUENTIN You could try and help me out here buddy. WORTH No, I couldn't The group crawls into the new room. Shortly afterwards they are in a green room, with everyone looking down in a new room. LEAVEN This one is trapped too. Quentin closes the door. HOLLOWAY We have to backtrack? Quentin looks up. QUENTIN Not yet. LEAVEN Oh, no. Everyone looks up on the door. the Quentin looks at Leaven. LEAVEN Read them to me. Quentin takes of his shirt. Leaven is ready to hold it. HOLLOWAY What are you? His coatrack? Oh please. Quentin begins to crawls up to the door. As he wants to open the door, he says: QUENTIN It's stuck! As Quentin opens the door, a guy falls down and almost hits Leaven. Quentin jumps down and the new guy stands up. KAZAN This room is green. Kazan begins to knock his head into the wall. QUENTIN Holloway. Holloway now looks at Kazan. HOLLOWAY Hi there. Holloway puts a hand on Kazan's forehead. KAZAN This room is green. HOLLOWAY Yes it is. KAZAN I wanna go back to the blue room. QUENTIN Is it shock or what? HOLLOWAY I think he's mentally handicapped. KAZAN I like the blue room. QUENTIN Jesus Christ! LEAVEN He almost broke my neck. HOLLOWAY Hey there, are you all alone? Do you wanna hold my hand, honey? KAZAN Butter first, then honey, Kazan. Butter first then honey. LEAVEN How did he survive? KAZAN I wanna go back to the blue room. HOLLOWAY There's lots of blue rooms. We'll find another one to you real soon. LEAVEN This is just way too bizarre. HOLLOWAY Will you just worry about your own numbers Leaven looks molested. HOLLOWAY Go on, I'll look after him. Leaven points at the ceiling. LEAVEN Safe, obviously. Since he almost fell on my head. HOLLOWAY Shall we go for a walk? Kazan, do you wanna go for a walk? As Quentin begins to crawl up to the door. Kazan gets terrified. He hits himself with the one hand on his head. HOLLOWAY Erm' Quentin. Let's not make him do the climbing thing right away. QUENTIN Holloway! KAZAN Holloway. The screen fades and next time we see something is in a new room where Kazan opens a new door. HOLLOWAY Could they have taken us all the way to New Mexico? QUENTIN What are you talking about Holloway? HOLLOWAY I'm talking about: 'Where do you hide something this big?' It has at least got to fill something. Holloway stands walks over to Quentin and stands beside him. HOLLOWAY I'm sorry to shake your foundations Quentin, but you have no idea where your tax-dollars go. QUENTIN Free clinic doctors? HOLLOWAY Only the military industrial complex can afford to build something this size. QUENTIN Holloway, what's the military industrial complex? Have you ever been there? I'm tellin' you, it's not that complex. HOLLOWAY And how would you know from where you are. QUENTIN What do you think these establishments is? It's just guys like me. Their desks are bigger, but their jobs aren't. They don't conspide, they buy boats. No, this place is Remember Scaramanga? The bad guy in 'The Man With The Golden Gun'. It's some rich psyco's entertainment. HOLLOWAY Is that what you think? LEAVEN Clear! Holloway crawls into the passage. HOLLOWAY Ok, you're a cop. Single bullet theory. Right on. As Holloway lands in the new room, she starts to lose her breath. It seems like she's being choken. LEAVEN Gas! QUENTIN Holloway! Get back here. But Holloway stays where she is. HOLLOWAY It's ok. I just swallowed my button. LEAVEN I hate this! I hate this! QUENTIN Your boy's having a conniption sitting there. A door is being opened. LEAVEN It's like cr�me without coffee. WORTH She needs a break. QUENTIN She can do it. Holloway crawls into Kazan and makes him touch her hair. And then back to the other room. WORTH They don't look prime to me. QUENTIN Is that your two bits worth, Worth? WORTH Of course it's what is worth. QUENTIN Well? LEAVEN Well, he's right. Not prime. Quentin jumps into the new room. LEAVEN STOP! In front of you!!! A lot of wires or whatever is being shot down from the ceiling and the slowly surrounds Quentin, rotates and Quentin just jumps away before he gets split up into several pieces. But it wasn't without pain. Quentin gets cut on one of his legs. HOLLOWAY What is it? Quentin gets back into the room. QUENTIN SHUT UP!!! The door closes. LEAVEN I don't know what happened. it wasn't prime. HOLLOWAY Quentin, hold still! QUENTIN Somebody stop that rackets! HOLLOWAY Worth. QUENTIN Leave the boots. Worth joins Kazan to make him shut up. QUENTIN And shut the fucking door! The door closes. QUENTIN I had a feeling about that fucking guy. He knew about that trap. LEAVEN But these numbers aren't prime. QUENTIN Then your numbersystem failed, but he knew. HOLLOWAY Knew what? How could he know? QUENTIN You're the paranoid, think about it. His only function so far is to kick us when we're down. HOLLOWAY So, he has a bad attitude. So you think that makes him spy. QUENTIN Trust me on this, it's my job to read people like an x-ray. The door opens and Worth comes in with Kazan. Worth holds him for his eyes. WORTH He doesn't like red rooms. Worth makes Kazan, sit by himself. WORTH So what happened? QUENTIN Pmfh, you saw what happened! HOLLOWAY Quentin! LEAVEN I guess the numbers are more complicated than I thought. WORTH Maybe they mean nothing at all. LEAVEN No, it means they're more involved, the works for us up to now have just been bad, I just need more time with them. HOLLOWAY We need to rest anyway. QUENTIN Well that's handy, like if there was nothing fucking else we could do. The camera fades. Next time we see Leaven writing some numbers on a piece of metal. HOLLOWAY Are they telling you anything? LEAVEN They're not Tarot-cards. Do you have any idea on how many variables I have to consider before I can decide from numbers this size!?!? They don't reveal themselves right away! QUENTIN They're like people. Kazan pulls down his pants to pee. LEAVEN Oh, gross. HOLLOWAY Erm, not here honey, over in the corner. Everybody looks at him. HOLLOWAY Well, he's just peeing! QUENTIN Jesus Christ! LEAVEN Excellent! Now it totally reeks in here! Worth laughs. QUENTIN And you find this all pretty funny, don't you? Quentin goes really close to Worth. QUENTIN What's your fucking problem Worth? Even Holloway's holding up better than you. Get over there and help her with him. That's your job, babysitter! WORTH Jawohl, Kommandant! QUENTIN Somebody has to taka responsibility around here. WORTH And that somebody has to be you. QUENTIN Not all of us have a luxury of playing nihilists. WORTH Not all of us are conceded enough to play hero. QUENTIN It's the will to live, everybody's got it Worth, even you, especially you hiding behind that cynical front. WORTH The will to live. That's the warm, coasy feeling deep inside. Thanks partner, I'm a new man. QUENTIN Arh, poor Worth: 'Nobody loves me'. If that's the chip on your shoulders, then why did you lug it all this way? Why didn't you just lie down and die! Quentin opens the door to the trap from before. QUENTIN Do it. Show us you have some backbone and jump into the sushimachine. Be a man. Everybody's waiting for Worth to answer. Finally Worth stands up. QUENTIN Thought so. WORTH Fuck you Quentin. I don't wanna die, I'm just being realistic. Do you think they just builded this thing so we could just walk out of it? QUENTIN Do you think they would lay clues, if there wasn't a way out. WORTH You think we matter, we don't QUENTIN Put us out of your misery so we can get on and get out of here. WORTH Oh, you're not getting out. QUENTIN Yes, we are! WORTH There is no way outta here!!! Long and nervebreaking silence. QUENTIN Got ya. HOLLOWAY How Do you know? QUENTIN Answer the question Worth. HOLLOWAY Oh, God! QUENTIN Who are you? WORTH I am the poison. I designed the outer shell. HOLLOWAY What? WORTH The shell, the sarcophagus. LEAVEN You builded this thing? WORTH Not this part, the . I don't know anything about the numbers or anything else in here. I was contracted to draw plans for a hollow shell. A cube. LEAVEN A cube! Why didn't you tell us? HOLLOWAY For Gods sake, Worth. You knew what it was. WORTH No QUENTIN Worth! You're lying. WORTH Not first. HOLLOWAY Who's beyond it? WORTH I don't know. QUENTIN Who hired you? WORTH I didn't ask. I never even left my office. I talked on the phone to some other guys like me. Specialists working on small details. Nobody knew what it was. Nobody cared. QUENTIN Bullshit! You knew from square one. Look at him, he's up to his eyeballs in this thing. HOLLOWAY No Quentin. That's how they stay hidden. You keep everyone separated so the left hand doesn't know what the right hand is doing. The brain never comes out in the open. QUENTIN Whose brain? HOLLOWAY It's all the same machine right. Pentagon. Multinational coorporations. The police! If you do one little job. You build a widget in Saskatoon. The next thing you know, it's two miles under the desert, the essential component of a deathmachine. I was right! All along my whole life I knew it. I told you Quentin. Nobody's ever call me paranoid again. We gotta get out of here and blow the lid of this thing. WORTH Holloway, you don't get it. HOLLOWAY Then tell me, please, I need to know. WORTH It's maybe hard for you to understand, but there's no conspiracy. Nobody is in charge. It's a headless blunder operating under the illusion of a masterplan. Can you grasp that? Big brother is not watching you. QUENTIN What kind of fucking explanation is that? WORTH It's the best you�re gonna get. I looked and the only explanation I can come to is that there is nobody up there. QUENTIN Somebody had to say yes to this thing. WORTH What thing? Only we know what it is. QUENTIN We have no idea, what it is. WORTH We know more than anybody else. I mean somebody might have known sometime, before they got fired or voted out or sold it. But if this place ever had a purpose, then it got miscommunicated or lost in the shuffle. This is an accident, a forgotten propetual, public, worksproject. Do you think anybody wants to ask questions? All they want is a clear conscience and a fat paycheck. I mean, I lead on my desk for months. This was a great job! QUENTIN Why put people in it? WORTH Because it's here. you have to use it or admit it's pointless. QUENTIN But it is pointless! WORTH Quentin That's my point. HOLLOWAY What have we come to? It's so much worse than I thought. WORTH Not really, just more pathetic. QUENTIN You make me sick, Worth! WORTH I make me sick too. We�re both part of the system. I drew a box - you walk a beat. It's like you said Quentin is: Keep your head down, keep it simple, just look at what's in fron of you! I mean nobody wants to see the big picture. Life's too complicated. I mean, let's face it. The reason we're here is it's out of control. Quentin turns around. HOLLOWAY Is that how we're ruining the world? LEAVEN Daah! Have you been on glue all of your life. I felt guilty for ruining the world since I was like seven. God! If you need someone to blame, throw a rock. WORTH Now I feel better. HOLLOWAY That's why you stayed with us. To confess. WORTH Still looking for someone to bust, Quentin? Quentin turns around again and begins to beat Worth. HOLLOWAY Quentin, Quentin, STOP IT! Leaven grabs Quentin's arm. LEAVEN We need him. QUENTIN What for? HOLLOWAY Have you gone absolutely mad? He's the only one who knows nything about the place. Worth falls to the ground. Quentin walks away. LEAVEN Worth WORTH Hi LEAVEN So there's this outer shell. WORTH Yeah. LEAVEN And it's a cube, like this? WORTH I assume so. LEAVEN Are there any doors? WORTH There's one door. LEAVEN Where? WORTH Wherever the doorguy put it. Six guesses and it's sealed from the outside. LEAVEN What are the dimensions of the outer shell? WORTH feetsquare. Leaven starts to take steps inside the room until she gets to Kazan. LEAVEN May I? HOLLOWAY Come on. Side over. LEAVEN by by . WORTH The inner cube cannot be flushed by the shell. There is a space. LEAVEN One cube? WORTH I don't know. It makes sense. LEAVEN Well, the biggest the cube then can be is rooms heigh, rooms across, so . rooms. HOLLOWAY . rooms? Oh, God that makes me queasy. LEAVEN Descartes Leaven opens a new door and puts on her glasses. LEAVEN Leaven, you are a genius! QUENTIN What? We see three numbers: LEAVEN Cartesian co-ordinates, of course, coded Cartesian co-ordinates. They are uses in geometry to plot points on a three-dimensional graph. QUENTIN In English. Slower. LEAVEN Bonjour, these numbers are markers, a grid-referance, like altitude and longitude on a map. The numbers tell us where we are inside the cube. QUENTIN Then where are we? LEAVEN It works! Ok, all I have to do now is add the numbers together. The X co-ordinate is, Y is rooms. So that places us seven rooms from the edge. QUENTIN Alright, let's go. WORTH Just out of curuiosity. I mean don't hit me again or anything. But what are you gonna do when you get there? QUENTIN Maybe we can get the door open. WORTH Wrong. HOLLOWAY What we need to do is figure out how we get around the traps. QUENTIN I'm dealing with that Holloway. I'm looking for practical solutions here. HOLLOWAY Well, you haven't found any yet! QUENTIN We cut the risk with the numbers and the boot. Worth will go in first. HOLLOWAY No he won't Quentin, we take turns! QUENTIN Relax. The camera fades. The first we see is someone nervous playing with his/hers button. QUENTIN Is there room for two in there? Quentin crawls in to Leaven. QIENTIN What's the matter? LEAVEN These co-ordinates:,  QUENTIN What about them? LEAVEN Well, they don't make sense. Assuming the cube is rooms across, there can't be a co-ordinate larger than . If that was right, then we would be outside the cube. Leaven looks up, and looks around. LEAVEN No, not outside the cube. QUENTIN I guess that means we're not having dinner. The camera fades. First we see the group opening the door in the floor. KAZAN Trap, trap, trap. TRAP! We see a blue room. Just after Kazan says trap the last time. A lot of spears come out from the walls until the room is filled with spears. In the end the spears go back again. KAZAN TRAP! The spears come again, and goes away in the end. QUENTIN Whispers It's soundactivated. BOOOH! The spears come, and goes away. They close the door. QUENTIN Lovely. LEAVEN How come the sound of the door-opening didn't set it off? QUENTIN Must be reat to ignore it. HOLLOWAY So that's it. The edge is surrounded by traps. LEAVEN Well, I guess we have to backtrack and try somewhere else. QUENTIN Who knows how many detours we'll have to take. I say we cross the bitch. HOLLOWAY Right. QUENTIN How many boots do we have left Holloway? They look at Kazan's feet. Just one boot left. QUENTIN Get it off him. We know how it works, we just have to be quiet. WORTH Pretty fucking quiet. QUENTIN I'm glad you're on sight Worth, because you're up. Kazan makes a sound. QUENTIN And he's not coming. HOLLOWAY Of course he is. QUENTIN No way! HOLLOWAY You're not leaving him behind. QUENTIN He's unpredictable. When we get to the edge we can come back for him, but he will get somebody killed here. Am I right? HOLLOWAY Shame on you. Will you look at yourselves. What have you turned into? They may have taken our lives away, but we're still human beings. That's all we've got left. LEAVEN We'll come back for him. HOLLOWAY That's a lie and you know it. WORTH He'll be quiet. Quentin opens the door and puts Worth down there. He hangs in the ceiling by himself now with a boot in his mouth. He crawls down the wall. Meanwhile we hear something nearby. As it's no longer is to hear. Worth opens a door, nothing happens, and crawls in. Leaven is up next. Afterwards Holloway. Next is Kazan. As Leaven is in Worth and Holloway stands on the floor. Kazan crawls in the ceiling and afterwards he crawls the wrong way. Holloway goes to get him. Suddenly his pants are stuck in the handle on the floor. Holloway tries to unloose it. Next up is Quentin. Now all is in except Quentin. He is on his way. In the floor the door is opening. So Quentin hurries up and aren't safe as the handle stops turning. He waits to be speared. Nothing happens. KAZAN Hah! Now the spears come again, Quentin just makes it into the passage. Now we are in a red room. Quentin grabs Kazan and almost beats him. QUENTIN You fucking fuck! HOLLOWAY That's enough! QUENTIN He's a trap! HOLLOWAY Let him go right now! QUENTIN Law of the jungle Holloway. He's a danger in the pack! HOLLOWAY Let him go you nazi! Quentin lets go of Kazan. QUENTIN What did you call me? HOLLOWAY Quentin! You let that innocent boy go. QUENTIN You listen to me woman. Every day I mop up after your bleeding heart. The only reason why you exist is because I keep you! I know your type. No kids, no man to fuck you. So you go around outraged sticking your nose up in other peoples assholes, sniffing their business! You missed your boat Holloway. You are all dry up inside there aren't you? That's your fucking problem. The others look shocked. LEAVEN How dare you say that to her? You don't know her Quentin. None ouf us know eachother here. QUENTIN Oh, I do. LEAVEN No you don't! HOLLOWAY No wonder your wife left you. All that bottled-up anger. And a thing for young girls. Quentin slaps Holloway in the face. He looks insulted. HOLLOWAY God help you Quentin. Did you smack your kids around too? LEAVEN Is anybody besides me interested in what's on the other side of that door? QUENTIN Open it. WORTH Door number six, not door number one, door number two. QUENTIN Open the fucking thing. HOLLOWAY ('singing') Sunshine. Worth opens the door. Now we see something completely black. Only with a little light from rooms below and on the other sides. It's the edge, the shell. KAZAN Nighttime. WORTH My old friend the shell. Worth crawls into the passage. WORTH It's there. Morning! Now we hear a gigantic echo. QUENTIN Hang on to me. Quentin crawls in and Worth crawls into the room again. QUENTIN Can't see shit. Nothing to hang on to. Quentin crawls back. QUENTIN We have to try something. We gotta see if the door's over there. Someone has to swing over there and take a look. We make a rope of our clothes. Take it off. I'll tie it onto myself. LEAVEN Yeah, you're gonna go. You weigh like pounds it'll snap in two seconds. I'm the lightest. QUENTIN Forget it. HOLLOWAY I'll go. QUENTIN I'm going Holloway. HOLLOWAY She's right Quentin, you're too heavy. I'm the lightest after Leaven. Anyways it's my turn. As Quentin ties the clothes, Holloway and Worth talks together. HOLLOWAY How long did you know people we're put in here. WORTH A couple of months. HOLLOWAY That's not long, if you consider your whole life. WORTH I am. HOLLOWAY You opened my eyes Worth, that�s something. WORTH David. HOLLOWAY Helen. WORTH And such a Helen. Holloway begins to crawl outside the room. She's almost crying. QUENTIN That's as far as you go. HOLLOWAY There's nothing down here. Hold tight. I'll try swinging over there. Place yourself I'm gonna try again. Ok, one more time. WORTH Hurry, you're getting heavy. Third time Holloway tries to swing over to the shell there's a big crash. The others now drops the grip of the rope. Quentin just reaches the end of the rope, as Holloway is falling. The others graps Quentins feet as he is almost out fo the room too. HOLLOWAY What the hell is going on? QUENTIN Get up here now! Holloway crawls up. In the end Quentin can reach her arm. First Quentin smiles, Holloway smiles too. But then Quentin looks someway different. Holloway knows what is going to happen. WORTH Quentin LEAVEN Do you got her? WORTH What's going on? LEAVEN Is she Ok? Quentin drops Holloway and crawls back into the room. QUENTIN She slipped. KAZAN Holloway. Leaven sits down i a corner. Quentin walks over to her. WORTH Sssh! Come on Kazan. Kazan will you please stop doing that! QUENTIN Leaven, you gotta be strong sweetheart. LEAVEN Don't even talk to me. QUENTIN We gotta get down to the bottom. It'll be easier to get on to shell from there. It's a long fucking way with only one boot. But we gotta do it, before we get too weak. You gotta keep cracking the numbers Leaven. LEAVEN I can't think anymore. QUENTIN Sure you can. It's your gift. LEAVEN It's not a gift, it's just a brain. WORTH Let her sleep for a while. We haven't slept for fucking hours. QUENTIN Ok, one hour. WORTH How the fuck are you gonna know how long an hour is? QUENTIN An hour is as long as I say. The group go to sleep. In the background weird music is to hear. After a little while, we see someone taking the boot away from Worth. Then we see a hand holding Leaven for the mouth. Then Quentin is bending towards Leaven and afterwards we see him carry Leaven. The next we see is a door closing. LEAVEN What are you doing? QUENTIN We have to make it down to the bottom. There'll be quiet there and you can concentrate. LEAVEN Do you just wanna leave them? QUENTIN They're traps! We are the key. I get us down there. You think us out. Believe in me. Try to see what I see, how my mind works. THRASH! When I look into someone's head like a fucking x-ray. I looked through the walls. I dreamed him at his desk, designing everything. He can't let you solve the puzzle. There is a purpose. We are the purpose. The cube is us. Quentin begins to touch Leaven. LEAVEN Quentin QUENTIN We fit like numbers. A man and a woman. Two halves of the equation. I take you down. The perfect key. Quentin goes further and tries to touch her breasts. QUENTIN I'll slip you on the lock. Leaven runs away. Quentin stands up. QUENTIN Leaven It's time to go down. Quentin tries to catch her. Meanwhile a door is being opened. Worth comes jumping hitting Quentin to the floor. Kazan enters the room too. The door closes. QUENTIN Get away from her. Leaven, they're fucking spy's. Him, the retard. Holloway had outside information about my family. She went too far. LEAVEN You dropped her. WORTH Just go Quentin LEAVEN Give us the boot, you pig! Quentin turns around and suddenly hits Worth with the boot. Then he walks towards Leaven. QUENTIN You don't want the boot. Then Quentin again hits Worth several times. Afterwards he opens the door in the floor. QUENTIN You wanna come with us Worth? Down the hatch. Quentin throws Worth down the hole in the floor. As Worth hits the floor, he starts laughing. QUENTIN What the fuck's with him? The others crawl down to Worth. He lies on the door, on the handle. As the camera switches angle, we see a corpse with the face down. Quentin turns the corpse with his foot. It's Rennes. Quentin drops the boot. QUENTIN How does he...? WORTH laughing It's The Wren, the old Renster. QUENTIN How could...? WORTH laughing We've been going in circles QUENTIN That can't be. Quentin grabs Leaven and opens a door. QUENTIN Where are we? LEAVEN I don't know. QUENTIN Where are we??? LEAVEN You figure it out! You haven't done anything. All you do is freak out! YOU MURDERER! Leaven starts crying. Worth stands up and laughs. Quentin sits down. QUENTIN You were right Worth. There is no outta here. Quentin starts crying. Kazan comes and touches his hair. QUENTIN crying Get away from me. Worth stands up. WORTH Wasn't Rennes killed in that room? Worth opens the door to were Rennes was killed. There's nothing. All we see is black. It's the edge, the shell. WORTH How come there's nothing out there. QUENTIN You see an edge. WORTH We were not at the edge before. Where's the room that killed Rennes? QUENTIN Fuck off! Quentin throws the boot after Worth, but the boot does not him it's being thrown out of the room. WORTH Oh, that was good. QUENTIN What difference does it make? We're dead anyways. WORTH HEY! Listen to what I'm saying! There was a room there before! We haven't been moving in circles, the rooms have! LEAVEN Of course. QUENTIN The rooms? WORTH That explains the thunder, the shaking. We've been shifting the whole time. LEAVEN It's the only logical explanation. I'm such an idiot. WORTH What are you on to Leaven. LEAVEN Give me a minute. The numbers are markers point on a map, right? WORTH Right. LEAVEN And how do you map a point that keeps moving? WORTH Permutations. Leaven nods. QUENTIN Permu what? LEAVEN Permutations. A list of all the co-ordinates the room passes through. Like a map that that tells you where the room starts, how many times it moves and where it moves to. QUENTIN The numbers tell you all that? LEAVEN I don't know. I've only been looking at one point on the map, which is probably the startingposition. All I saw, was how the cube looked like before it started to move. QUENTIN Ok, so it's moving. How do we get out? LEAVEN . I know where the exit is. QUENTIN Where? LEAVEN Stay away from me. WORTH Back off, Quentin! QUENTIN I just wanna know, don't you wanna know? LEAVEN You remember that room we passed through before, the one with the co-ordinate larger than ? WORTH What about it? LEAVEN That co-ordinate placed the room outside the cube. WORTH A bridge? LEAVEN Right, but only in it's original position. QUENTIN What are you talking about? LEAVEN Look, the room starts off as a bridge, then it moves it's way through the maze, which is where we ran into it, but at some point it must return to it's original position. WORTH So the bridge is just a bridge LEAVEN in a short period of time. This thing is like a giant combinationlock, when the rooms are in their startingposition ht elock is open. But when they move out of the linement the lock closes. WORTH Well the size of us It must take days to complete a full cycle. QUENTIN So when does it open? Now we see Leaven doing some math again. Quentin crawls towards her. LEAVEN Don't! We find it's original co-ordinates by adding the numbers, the permutations is found by subtracting the numbers. It's it. The room moves to, and - on the x-axis,, and - on y, and, - and on z. QUENTIN And what does that mean. LEAVEN You suck in math? Ok, I need the roomnumbers around as a referencepoint. WORTH QUENTIN ok? LEAVEN Yes! QUENTIN And Did you get that? WORTH LEAVEN That's enough. X is, y is and z is . Which means this room makes two more moves before returning to it's original position. WORTH Do we have time? LEAVEN Maybe QUENTIN Then let's go. WORTH Can you work out the traps in the system? QUENTIN Fuck the traps, let's get to the bridge. WORTH Well you threw out our last boot, you fucking idiot. LEAVEN Technically I can identify the traps. WORTH Technically? LEAVEN First I thought they were identified by primenumbers, but they're not. They're identified by a number that are the power of a prime. QUENTIN Ok, so? WORTH Can you calculate that? LEAVEN The numbers are huge. QUENTIN But you can, right? You can? LEAVEN I have to calculate to numbers of factors in each set. Maybe if I had a computer QUENTIN You don't need a computer. LEAVEN Yes, I do. QUENTIN Figure it out! LEAVEN Yes, I do! QUENTIN I'm not dying in a fucking ratmaze. LEAVEN Look! No one in the whole world could do it mentally! Look at the number: . There's no way I can factor that. I can't even start on . It's astronomical! KAZAN Two Astronomical. WORTH What did you say? KAZAN Astronomical. WORTH Before that KAZAN Factors LEAVEN How many factors Kazan? Of ? KAZAN Two QUENTIN What are you fucking kidding? LEAVEN How many factors does have? KAZAN Three LEAVEN And seven? KAZAN One Gumdrop. LEAVEN I don't have any gumdrops. KAZAN Gumdrop! WORTH Kazan, I'll give you a whole box of gumdrops for each answer. KAZAN Gumdrops come in bags. WORTH You want 'em in bags, you got 'em in bags. KAZAN I don't like the red ones. Worth opens a door and tells the numbers to Kazan. WORTH - - . KAZAN Two WORTH - - . KAZAN Two LEAVEN He's giving us the factors. KAZAN Astronomical. QUENTIN You're telling me Tell-A-Son boy is a genius. LEAVEN By those numbers the room should be safe. QUENTIN There's only one way to find out. Quentin takes Worth and throws him into the room. LEAVEN Don't! WORTH Safe. QUENTIN Kazan, my man! Quentin tries to make Kazan give him the factors. QUENTIN What's the numbers boy? Right here! Look here! Make him do it. LEAVEN Kazan, we gonna do some numbers, ok? We like to do numbers, right? KAZAN Primenumbers. LEAVEN That's right. Can you tell me the factors of ? KAZAN Two LEAVEN KAZAN Two LEAVEN KAZAN Three LEAVEN Clear. QUENTIN Move. Come on let's go. You too Worth. Move your scuddy ass Worth, I'm not through with you yet. Leaven open up that door, and get Einstein working on the numbers. As Quentin has his head in the room, Worth closes the door and tries to choke Quentin. LEAVEN Oh, Jesus! WORTH Go! Hurry! QUENTIN Leaven. LEAVEN Come on Kazan QUENTIN You fuckheads, you're dead! KAZAN Two LEAVEN Clear Quentin gets his head out, and Worth closes the door. Next we see the number . KAZAN One LEAVEN Trapped! Worth enters the room and closes the door. WORTH Check the floor. LEAVEN Is he dead? WORTH Not quite. QUENTIN Not even close, Worth! When I'm finish I'll throw you in a fucking trap on the way out of here. On the other side of the door, we see Quentin opening the door. QUENTIN Where is he? Come here! I said come here riiight Quentin falls down in the room under the floor. We see Worth hanging down there. Afterwards Leaven and Kazan help Worth up from there. WORTH Got ya. That way. Now we see the number KAZAN Two LEAVEN Clear. KAZAN Four LEAVEN Clear. The next door they open lead them to the edge again. This time there's much more light out there. WORTH Oh. Leaven puts her head outside the room, and quickly takes it back. A room is passing by. When they open the door again, there's a room there. WORTH I guess that proves out theory. The numbers. We see two numbers: xxx KAZAN Four, two, three. LEAVEN Clear. They enter the new room, except Kazan, the room they just came from moves away. LEAVEN/WORTH KAZAN!!! In the background we hear Kazan screaming. LEAVEN Listen. He hasn't moved far. WORTH I'm gonna find him. What do you think? LEAVEN You don't have a lot of lives left. We see Kazan in a red room. He's terrified. Then we see Worth entering a blue room, then we see Leaven step on a piece of glass, the one from her glasses. Then we see Worth in the ceiling of the red room with Kazan. WORTH Kazan? KAZAN I didn't move. WORTH Yeah, good. Erm, you have to climb up here, ok? KAZAN I don't like that. Leaven opens a door and studies the numbers. LEAVEN WORTH GET BACK HERE RIGHT NOW!!! WORTH Five bags of gumdrops? KAZAN bags total. WORTH bags, deal. LEAVEN Come here Worth, this room's next move takes it to the bridge. WORTH We're coming. LEAVEN Over here. Move it. We don't have much time come on. Worth and Kazan crawls in to Leaven's room. Leaven closes the door. They just make it, before the room moves. As we see the group again, they lie down. LEAVEN Worth WORTH Eaoh, it' better be it. LEAVEN It should be. WORTH Where? Leaven opens a door, there's nothing behind it. She closes it again. WORTH Ooh, arh. LEAVEN Give me a minute. Be patient. So guess what, this was the room we started in. I was right, we should never have moved in the first place. The room starts to shake, it's moving. As it stops, Leaven opens the door. We see a red room. WORTH The bridge. KAZAN Red LEAVEN Kazan. KAZAN LEAVEN Clear!!! They enter the red room. Leaven closes the door. Kazan opens a new door. We see daylight. Worth sits down. LEAVEN Worth??? WORTH Go ahead. LEAVEN What are you doing. You can't quit now. It's not your fault!!! WORTH I have nothing to live for out there. LEAVEN Was is out there. WORTH Boundless human stupidity. In the background we hear a door opening. LEAVEN I can live with that. Leaven says some strange sounds, she rises. Behind her we see Quentin with a door handle. Quentin has stabbed Leaven in the back. He drops her to the floor. He's covered with blood. Kazan closes the door to the daily life. WORTH Nooo! Worth hits Quentin quite hard. But just after Quentin does the same to Worth. WORTH Kazan get out to the door! Quentin stabs Worth with the handle. Worth falls to the ground. Quentin tries to reach Kazan. QUENTIN Red, Kazan. Kazan opens the door. Meanwhile the room starts to move. As Kazan is outside the room, Quentin grabs his t-shirt. As he is just halfway out he can't move anymore. Worth holds Quentins leg. Quentin gets split up in two parts. Afterwards we see the room move. There's blood on the inner cube. In the room again we see Worth crawl towards Leaven. Halfway he stops moving he dies. The last we see of the movie is Kazan looking at the inner cube, before he turns around and disappears into the bright, white light. 